Hmmm. Where to begin? I can’t believe that it’s been seventy days since I last posted. Well, in all honesty I can. I haven’t felt very inspired over the last two and a half months. This year in the Mac Lab has been exactly what Mr. Skocko said it would be: amazing on a scale we had never before seen. The reach and scope of the Mac Lab has expanded further than ever before, our little classroom is being called upon more and more to complete projects for the school, and Mac Lab students are accomplishing feats never before dreamed of. And yet, I can’t help feeling like I have gotten almost nowhere in the past seventy days.
Last year, Danny Owens and I decided that I would inherit his role as leader of the Mac Lab Video Team come the start of the 2010/2011 school year. I have done my best to assume this mantle of leadership and drive our little group of dedicated students into greatness. However, I can’t say that I am enjoying it. The year started with Kyle W, Philip B, Josh K, James W, and myself frantically pushing video after video through what felt like an assembly line for the school. For the first few weeks, I was so caught up in the adrenaline of this fast-paced workflow that I failed to realize how what I loved about the Mac Lab was crumbling around us. Simply put, I have not felt proud of a single video that we have produced for the school, despite people saying that they are good. And that is why I am unhappy. Perhaps the defining factor of my epic year in the Mac Lab last year was that I finally felt proud of something I had done, and now that is gone. That pride drove me day after day to work for hours on end in front of my computer at home, striving to be the best that I could be. The never-ending onslaught of projects this year has not allowed me to work at the best of my ability and that has diminished the quality of our projects. This decrease in quality has then sapped away my pride in what I am doing in the Mac Lab. And that is a problem.
At the same time, I encountered problems within our Video Team. People not wanting to work hard, being lazy, not liking to be told what to do, not being professional, and not holding themselves to Mac Lab standards tore a massive hole through the heart of Mac Lab Media. However, in the past month I have backed off, listened more, and lead less and that has in turn seemed to stabilize the social and political situation within MLM. Nobody is perfect, especially not me.
So how am I going to fix this problem of me not being happy in the Mac Lab right now? Well, first I need to identify a more concrete source of my unhappiness. After a few days of introspection, I realized that what made last year so great was that I had time to learn. I had time to learn, practice, and successfully (or not) implement new skills. That and my own determination strapped me to a rocket bound for Mac Lab greatness. Happiness ensued. So the logical way for me be happy again is to start learning again. (Some people are rolling their eyes right now. “Learning……I HATE LEARNING….How can learning make this lunatic happy?” My answer: find something you love doing, then learn about it and then ask yourself the same question.) Well, to learn, I need time. Ah, time, the illusive thing that has escaped me these past eleven weeks. In order to find time to learn, something else has to go. If I don’t deem a project to be conducive to my learning, I won’t take it. Period. That should clear up my schedule a little, and if it doesn’t I’m man enough to do whatever else is necessary to make sure that the rest of my Senior Year is better than these past eleven weeks.
And now on to a more positive topic: what I have liked/loved about these past eleven weeks. First and foremost, I have been able to build friendships that would never have grown without my time in the Mac Lab. In general, the friendships that I have made in the Mac Lab have been one of my main reasons for returning day after day. Mac Lab Media has become a tight-knit group of friends who do their best given the task at hand. Regardless of the projects we have worked on, the other members of Mac Lab Media have been true heroes to the Mac Lab, the school, and to me. Thank you guys. This year has been, above all else, a team effort.
My second reason for surviving these past months has been my Mac Lab work outside the Mac Lab. Specifically, the time I have spent working with Steven Moyer on his projects for Digital Group Audio has been, without doubt, the highlight of my summer and the past eleven weeks of this school year. Steven has taken all my classroom experience in the Mac Lab and channeled it, craft it into something I can use in the real world. For the details of the many-pronged Zipbuds project, read Steven, Kyle, Christian, and Philip’s detailed descriptions.
For me, the Zipbuds project took my skills as a photographer/Photoshopper to the next level while at the same time giving me real world experience that will have repercussions for the rest of my life. “What? You’ve gotta be kidding me. You expect me to believe that those endless hours in front of the computer or in Steven’s garage are going to have an impact on the rest of your life?” Hey, beyond the internal benefits and happiness that working on such a wonderful project has brought me, the successes of the Zipbuds project will fatten my resumé quite nicely. And that is extremely important in today’s gladiator battle for college acceptance. To all you people out there who live for your grades, there is another, equally important side to a college application: the extracurricular activities section. (And hey, I have been able to do all this stuff for the Mac Lab, continuously building my resumé, while still maintaining my straight A’s. That sounds like a good deal to me.)
The Zipbuds project is a true testament to the power of teamwork, because teamwork was the driving force for the greatness of the final result. Steven, Kyle, Danny, Philip, Christian, Evan, and myself could not have done it without each other. And what do we have to show for it? See for yourself: www.Zipbuds.com | Gizmodo | Gadget Review
I will build a gallery of the roughly two dozen Zipbuds pictures that I personally Photoshopped sometime in the next week (they are stored on a different computer than the one I am writing this post on).
There is no doubt that the Zipbuds project will go down in Mac Lab history as one of the greatest examples of how students can, given the opportunity (thanks to Steven), create work that is good enough to stand proud beside the best in the industry. To come right out and say it, the Zipbuds project has demonstrated how, in the Mac Lab, the sky really is the limit.
And so now I finally get to talk about that featured image. I took that picture almost two months ago and have been saving it for a really special post. Obviously, I did quite a bit of enhancement in Photoshop, but that is how I work. For me, an image isn’t complete until I have torn it pixel from pixel in Adobe’s king of pics. This post’s featured image symbolizes the turmoil and conflict of the skies, but given the success that I described in the preceding paragraphs it can be interpreted to illustrate the power of the Mac Lab to elevate a student’s abilities to the level where they can survive such chaos. But that’s just AP Literature talking. I think it’s a great picture.
I have taken a keen interest in the sky lately, and so here is another of my attempts to capture the beauty of nature. I know that the orange glow is lopsided.
While filming a history movie with my friend Chadd Cady, we noticed a horde of bees swarming a nearby bush. I put down my T1i and ran home to grab the 5D Mark II and 100mm Macro. Here is my first attempt to use that wonderful lens.
While taking a break during the same video shoot, I snapped these pictures of a nearby fence post. Check out that beastly depth of field, courtesy of the 100mm Macro.
I have not had much time to work on projects of my choosing, but one thing that I did do was try stop motion photography. I’ll spare you the details for now. Only one of the four test videos I made turned out semi-interesting. I learned a lot from these tests and next time I try stop motion photography the results will be much better.
Mr. Skocko printed one of my pictures during my seventy-day vacation from post-writing, but I don’t think it turned out good so I haven’t hung it. I did go frame-shopping a few days ago and took notes of various frame sizes. Now I have to decided which pictures I like enough to crop, reprint, and frame.
In the next few weeks, I will try stop motion photography again, give FLOAT my first honest attempt, learn more about Adobe Premiere, and do my best to keep learning, start having fun again, and find that zone of intrinsic motivation that made last year so epic.
Well, I wish I had better news. My second try at fireworks photography did not go as well as my first, even though I lugged two 5D Mark II’s, a Rebel T1i, six lenses, and three tripods for what felt like ten miles up, down, and around the USS Midway for six hours on the 4th of July.
I was completely prepared and knew exactly what I needed to do to capture great pictures, but three things got in my way: clouds, smoke, and people. Fog started coming in as soon as it got dark and so the fireworks were exploding inside a bank of haze that was impossible for the camera to penetrate. I tried things like increasing the f-stop to 22 so as to capture as little surrounding light as possible, but to little avail. Second, there must have been five hundred fireworks going off every minute from nine different locations around the bay, so the fog was compounded by an impregnable layer of smoke that never blew away. Third, I had a great location to shoot the fireworks but at the last minute decided to move because I was standing in people’s way, and that proved disastrous. Most of my pictures have a line of heads along the bottom that obstruct the lower reaches of the fireworks. Oh well.
I took over 400 pictures in six hours, and less that 20 are worth editing. Like last time, here are the first four.
Most of the time the smoke was a nuisance, but sometimes it added to the composition.
Those fireworks with exploding bulbs make for interesting pictures.
Brief moments of clarity and a lot of Photoshopping produced some smokeless images. Notice the Coronado Bridge at the bottom of the next two pictures.
Just so you are forewarned, this post is designed to beat Christian’s latest super-post as far as word count is concerned. Here we go.
Philip, I apologize in advance (he doesn’t like lengthy posts).
Light Painting Update:
As I have mentioned many times before, I went through a dry spell as far as new work was concerned during the time leading up to AP Exams when I spent all my time studying and working on the 840 Poster. Well, as the AP Exams are over and the 840 Poster is slowly coming to an end, I have had time to consider and complete new light painting projects. As this post explains, I went to Harbor Island a few weekends ago and took 28 pictures of downtown and the sights of the city from afar. Since that post, I have edited two more images.
I think the first is good, but not spectacular.
I was getting bored with making realistic pictures of Dowtown over and over again, so I threw the “Fill Light” and “Blacks” sliders in Camera Raw all the way to the right, added a few extra crazy adjustments, and got the second image. I have no idea where the halo came from or I would have gotten rid of it (it’s not from “Clarity”).
After the District Art Show, Kyle W, Philip, Christian, Zack, and I went to Tidelands Park in Coronado to take pictures, and we had great success. Read more here and here. After browsing through my images, I counted 24 that were good enough to edit and eventually narrowed that down to nine.
Here they are:
I kind of like this shot of the Coronado Bridge, even though it didn’t turn out as good as I would have liked (I was using the wrong lens – Christian was using the right one).
With these next two images, I decided to listen to Philip’s advice and make them not as warm as the others. This forced me to approach them from a different angle and I think they turned out very nicely (some of my favorites). Thanks for the advice Philip. (But there is a point where cool (blue) turns into unrealistic (too blue/bad).)
This next one was out of focus and I tried to compensate by adding lots of different effects. I don’t really like it.
The next image is my favorite. I really like the contrast between the bluish background and orange foreground (complementary colors), even though the frame isn’t great.
I tried a lot of new techniques on these pictures, including using the “Threshold” Adjustment Layer for the first time. I also ventured deeper into Camera Raw than ever before and used the “Split Toning” panel for the first time.
I was all ready to post this post after three hours of writing, and then I realized I had forgotten to add vignettes to my new images. I had to go back and fix, re-save, re-upload, and re-add twelve images (it turns out the Dip wasn’t up-to-date too). Argh!
With more free time (now that most of my classes have toned done the workload) I should be able to produce more new work relatively quickly. I continue to get better at using the 5D Mark II as well as my Rebel T1i, which has translated into better pictures than ever before. I remember from the beginning of the year how out of two hundred pictures, maybe ten would be good. Well now maybe one hundred would turn out nicely.
The District Art Show:
As you all read here, Superintendent Collins surprised everyone when he awarded my already 1st place Dip picture (named “Night in the Light” for the Art Show) one of the biggest awards of the night. I was surprised my pictures won anything at all because they printed horribly bright (I had tailored them for the big Epson in the Mac Lab and not the small Epson at Mr. Skocko’s house). The actual print from the Art Show is hanging in my living room, and looks just fine in the dim lighting. I gave the “Navy Lights” picture to Kyle R because he hadn’t gotten a print of it yet.
For me, the greatest feeling of accomplishment in the Mac Lab is seeing something of mine being printed, and so to have had eleven things receive that honor, I feel pretty good about my year so far. Oh, and just to set the record straight, the bigger the print the better!!!!!! At only 20 inches by 13 inches, this image looks like a postage stamp next to this one and this one, which are both 30 by 20 inches. (I want my copy of the District 840 poster to be 44 inches by 70 inches, one square inch for every hour I spent working on it.)
The District 840 Poster:
The third thing I want to give an update on is the District 840 Poster. It is currently on its fourth version, which is two more than it was on when it was submitted and mass-printed. After a marathon Skype video conference and some last-minute tweaking the day before it was due, this is what the poster looked like. We (Kyle W, Philip, Mr. Skocko, and myself) all agreed that the sky was just awful and needed to be replaced, so I added some Photoshop clouds that night, which is version two. At that point, we had no choice but to submit the poster but we vowed to make it better. The poster was mass-printed 11 by 17 inches and distributed around the school and a 44 by 70 inch giant was printed for in front of the office. However, as time went on the sky looked worse and worse, so I began the process of finding somehow to make a new one. I decided to look at old photos and try to find one with an acceptable sky (we realized that the idea of making a sky from scratch in Photoshop proved futile). I turned first to the pictures in this post, and combined the skies from the two images (one, two) in Photoshop. Because the stars in the two images are different sizes, the result had a feeling of depth. I liked this third version, but had to agree with Philip when he said that it looked too peaceful. Also, adding a night sky created a different problem: night means the buildings need lights. Making that happen proved impossible with our current skills, and so I continued my search for an image that could work. I stumbled across this one while going through some old files and knew instantly that it was the one. Unfortunately, two problems arose: first, it was a JPG and second, it was VERY noisy. We had no choice but to live with the first problem, and the wonderful noise reduction features in Camera Raw beautifully solved the second. Instead of trying to add the new sky to the same file with the other two skies, we went all the way back to the beginning, to the version two trips through Camera Raw before this version: the big 1.38GB main file with all the components on their own layers. This made adding the new sky a piece of cake and also allowed some problems with the edges of the buildings to be solved relatively easily. However, this also meant that we had to repeat the Camera Raw steps, but in the end that proved to be a good thing too. After a week of work, Kyle and I managed to get the new fourth version looking much better than its predecessors. A few last-minute fixes made for a truly great poster, but since the Mac Lab is out of paper it will remain solely digital for now.
Looking at all the versions of the 840 Poster side by side, I think that the buildings in the final version need to be darker. That’s an easy fix, but I need to run it by the group first.
Over the past couple of months when I couldn’t go out and take pictures because I was supposed to be focusing on my other classes, I turned to Photoshop. I learned dozens of new skills and have become truly great at using Photoshop. The District 840 poster taught me a lot about image correction and the healing tools, which gave me a new appreciation for a different side of Photoshop.
Also, instead of trying to push my images to the brink of destruction, I have really tried to reign in my enthusiasm and not over-process my images. When reworking the Dip and Cars images, I took special attention to this and ended up decreasing the vibrance on both images quite a lot. This took the edge off the bright and somewhat blinding colors and created two images that were pleasant, not painful, to look at. The main thing I fixed in the Dip image was severe over-processing, and it was only through some creative Camera Raw-ing that I was able to same the image. I experienced a moment of desperation and hopelessness while working on that picture, when I ran out of ideas and felt the pain of failure. Then I reached for the Adjustment Brush and blurred/desaturated/darkened the over-processing away. Miraculous, in my opinion anyway. Just look at the road in these two versions (one and two). See the difference? In this post I called the previous version a masterpiece, and now I feel foolish for doing so. There is a point when too much of a good thing (like Photoshop) can be a very, very bad and very, very destructive thing indeed, and that is something I have been trying to avoid in my latest images.
The new tools in Photoshop CS5, like Content-Aware Fill, the Content-Aware Spot-Healing Brush, Puppet Warp, Lens Correction, and the new blending modes have come in extremely handy and have changed the way I work with my images. The new skills that I have learned through thousands of hours in front of my computer have truly transformed my skills as a digital artist in the past six months. (Example: in three days I was able to capture, edit, and print a District Art Show-worthy picture. Unfortunately, when Mr. Skocko learned he could only submit eight things, he had to cut it, leaving only two of my images in the Art Show) Now I feel like whatever the challenge, I have the skills to overcome it.
Also, I have been using Camera Raw on a scale I would never have imagined before. I was just starting to really appreciate the power of Camera Raw 5 in CS4 when Camera Raw 6 was launched with CS5. The new version has a totally new engine that allows for better edits than ever before. The new noise reduction features may be my favorite, but then again the new lens correction software in the 6.1 update just may be cooler. I never realized just how distorted the images straight out of the camera really were until I tried out this new feature!
I almost forget to talk about the wonderful Adobe Digital Negative file format that I discovered a while ago but only started using with CS5. The Digital Negative format allows for increased compression without data loss (which is great when taking high-quality 30MB pictures) and does away with the old XMP sidecar files that CR2 files had. I especially like how if I start editing an image in Camera Raw but don’t finish, I can save the image directly in Camera Raw as a DNG without loosing any edibility (or the edits I just made). Basically, if it’s a picture and it’s not a PSD or a web-ready JPG, it needs to be a DNG. It’s that simple (in my opinion). DNG’s are smaller, store more information, and are more versatile that CR2′s, so why not use them?
I haven’t done much to CRDESIGNLAB in the past months except remove all of Kyle R’s work. That means all the Digital Art pages are looking quite empty, which is likely how they will stay for the rest of the year (along with the 3D pages). I have been searching for a new blog theme, but have not found anything intriguing yet.
I think I will hold out on making new tutorials until summer because I don’t see myself as having any time before the end of the year. I plan to make dozens of new tutorials over the summer (on light painting, Photoshop, and photography) in order to build a wonderful student resource for next year. Speaking of next year, I will be a Senior but I will not be taking any Mac Lab classes. Don’t worry though, I will go periods one through five and spend six and seven in the Mac Lab anyway helping students and working on projects. I hope to be a resource next year both through my direct aid and the tutorials on this blog.
By the way, this is the 72nd post on CRDESIGNLAB. That’s a lot of posts. (Other stats: 550 comments, 6,736 hits)
I am continuing to make final changes to the 840 Poster, but as soon as the Mac Lab gets paper it is ready to print.
Also, I have volunteered to set up fifteen new iMacs for Mrs. Ormsby and the SAGA. I have been working on just one of the computers and plan to build a master disk image that I can then transfer to the others. After some initial difficulties with InDesign, which is the primary program the journalism students use, Mr. Skocko suggested I bring the computer down to the Mac Lab for the setup process instead of working in Mrs. Ormsby’s room. Having access to a reliable internet connection allowed me to download the required updates to make InDesign work, and I was able to complete the installation of all the applications Mrs. Ormsby needs. Now I just need to here back from SAGA on what specific files need to be standardized across all the computers. Hopefully I should be done with the setup and ready to create the image using Carbon Copy Cloner within the coming week. That means that hopefully all fifteen new computers should be up and running and ready to replace the ten year old Macs in room 322 before too long.
Plans for the Rest of the Year:
Well, I have only 2 days left on my trial for CS5, so my plans for the next few weeks must include buying the CS5 Master Collection. Mac Lab Media needs to produce a video advertising next year’s Blood Drive, which I will be very involved in. I need to learn more about Final Cut Studio in preparation for leading Mac Lab Media next year. I need to continue to learn how to use the new audio/video equipment, which will be invaluable for all future video projects. I hope to work with Christian on a stop-motion light painting video, but that might get pushed until summer. The District 840 poster needs to be “finished” and printed for in front of the office. I need to finish setting up Mrs. Ormsby’s new computers. I need to edit my newest light painting pictures and capture new ones. The Mac Lab iDev Team has yet to get off its feet, but I hope that in the next few weeks I can put my iPad to good use and start working my way through the tutorials. And that’s just the stuff I can think of off the top of my head. There’s a lot more, but I think my subconscious is not letting me remember it.
Oh, I almost forgot: Kyle W and I have to assemble the Mac Lab iBook for the Final Exam. That’s going to take a while and teach us more about InDesign than we will ever wanted to know.
Sunday night I will attempt this challenge, which will help me appreciate the skill required to be a photographer before the invention of digital cameras. Plus, getting a free print isn’t bad either. My strategy is to pick four shots and take nine picture of each with different settings hoping to get something good. I will probably work with Kyle W and create some light painting masterpieces the old-fashioned way.
On Monday I have to film a group English project, but because my group didn’t want to step up to Mac Lab standards I am not allowed to use Mac Lab cameras. That’s too bad because I was really hoping to make a phenomenal video, but it looks like I am going to have to settle with what the group want, which isn’t phenomenal.
This year has been much more that I envisioned it to be. My first year in the Mac Lab (as a Freshman) was quite uneventful and, honestly, I expected this year to be the same. When I enrolled in the Mac Lab a year ago, I had no idea that I would have five things on the Wall of Fame (I think it’s five), have eleven beautiful prints hanging in my house, or have stood alongside Danny and Christian and received the ROP Champion of Champions Award (and then that totally unexpected follow-up award from the California Legislature). And as a math and science guy, becoming one of the most decorated recipients at the 24th District Art Show was something that I would never have expected in a thousand years (me, winning art awards, you can’t be serious!!!). This year has been more fun than I could have possibly imagined, and I plan to end it on a high note. I have learned so much about myself and grown so much as a person in the past year that I would not trade my time in the Mac Lab for anything.
And the crazy thing is that something tells me that next year will be even better.
Christian, I cut down the length of this post by over a thousand words because the general consensus seemed to be that I write too much. But at 3014 words this post stills claims the trophy.
Ahhhh, finally! After two months of vigorous Photoshopping, the “completed” District 840 poster rolled out of the big Espon at 44 inches wide and 70 inches long early Tuesday morning. I’ll spare you the unpleasant details of the two month ordeal culminating in a frantic pair of six hour Skype video conferences, but I will say that I am tremendously happy with the result. Kyle Wheaton, Zack Tatar, Philip Behnam, Fadi George, and myself managed to construct this monstrosity. With a completely 3D Downtown San Diego (courtesy of Zack), an ominous Norsemen space ship (my creation), and a panorama of the football field in the foreground (also my creation), I’d say this is quite the piece of work. Without Fadi’s skills with the pen tool, the book buildings that Kyle and I made and that Philip weaved into Zack’s city would never have existed, and without the determination of Kyle, Philip, and Zack, this poster never would have been finished. This was a great team project that could not have been accomplished without the wonderful support of all those involved. All I have to say now is that it isn’t done yet…
Now onto another topic. After six weeks of him asking, I finally gave Mr. Skocko my picture of the USS Midway to print. It was on the Works in Progress page for a long time, but now it is hanging above the door to the Mac Lab and in my game room.
For now, I have no really pressing projects, so I will try to return to this image, which I twisted into this image, and plastered onto the desktop of every computer I work on. I think I will try to start over from scratch and try new strategies to create a similarly cool image without the massive distortion and over-processing (my specialty, which I am trying to fix). I hope to finish it and get is printed as a nice restful job while I rework the sky on the 840 Poster. Oh, and Mr. Skocko wants lights in the windows on the 840 Poster!!!!!!! How?!?!?!?!?!??!?!?!??!?!?!?! I sense a job for Zack…
Today was the last of my three AP Tests (U.S. History, Chemistry, and English Language and Composition). After the last two of those tests, which were yesterday and today, I came back to the Mac Lab even though I was excused for the day. It was fun earning extra time during my own period.
That’s it for now. I’m off to Photoshop.
Info: In case you were wondering why all the new images are all of a sudden so big (1500 pixels in largest direction), it’s because all the displays I use are 1920 by 1080 pixels (1080p) or larger, and I want my images to be larger than a business card when I look at them.
It’s been a while. 17 Days to be exact. To keep it brief, in those 17 days, I have been hard at work on the 840 Poster, a couple of video team projects, and of course exploring my iPad. Now to the important stuff.
A few weeks ago, Mr. Skocko gave me a recipe for taking pictures of the night sky that he learned from this guy. He told me a the very best settings for the camera, and so I vowed to try it out. That’s what I did early tonight. I took the 5D Mark II into my backyard and pointed the lens straight up, and got a wall of white. Total failure. I deducted that this was because I was taking photos from a heavily populated area with lots of light pollution, so I adjusted the setting a little (a lot, actually) and tried again. Total failure for a second time. Fast forward 20 minutes and 50 pictures, and I have finally found a setup that worked. I took a few shots of a house up the street before going inside to see just how granulated the images would be.
When I got to my computer, I waited to unload the pictures until the trial of the CS5 Master Collection was done installing on my main computer, so I could take full advantage of the new features when editing my new photos. I loaded them into Bridge, and………success!!!!! Of the 50 or so pictures I took (of which about 10 were good), I chose two to advance to the next stage: Camera Raw. After boosting Photoshop CS5′s performance preference to eat a MASSIVE 7.5GB of my 8GB of RAM, I took the first image, which is the one featured on this post, through Camera Raw. I proceeded straight to the new noise reduction features and threw the sliders all the way to the right. And…….the amazingness just got WAY better. Man, Photoshop has power!!!!! The image went from relatively grainy but still OK, to perfectly smooth and beautiful. The only side effect was that the house in the photo got a sort of painted texture, which I think looks fine with the image. I played with the “Contrast” and “Blacks” sliders a little, then opened the image as a Smart Object and added a contrast curve before turning to the next image. (In case you’re wondering, the lighter area in the center of the photo are clouds what didn’t render well when converted to a JPG. The whole photo didn’t convert well, and looks much better as a PSD). On this one, I again utilized the noise reduction features, but because the image was not in perfect focus, there was only so much Camera Raw could do. It didn’t turn out as good as the first one, but then again it wasn’t really meant to. I just wanted to demonstrate the possibilities of these new skills and show just how cool a picture of the sky could turn out (if it were only focused!!!!!).
I have been staring into the abyss of space for a long time, wishing to capture its beauty in a photograph, and have finally somewhat succeeded. I did not totally achieve the effect I wanted, and in all reality didn’t even come close to getting the breathtaking picture of the Milky Way that I want to get, but I am happy for now. To take pictures like the ones this guy took, you NEED to be in the middle of nowhere, ten miles from the nearest person, not in the middle of Rancho San Diego.
That’s it for now, I guess. The 840 poster is coming along good and will be my main focus until it is completed.
PS: Dang Photoshop is fast!!!!!!!
I haven’t done much since my last post, so this post will probably be brief. About a weeks ago I took a few photos of flowers in my backyard, but the wind was blowing and so they were not sharp. I have not had any great quantity of new material to work on for over a month now, as far as photography and light painting as concerned. I have been focusing more on my other classes and the time I have spent on the Mac Lab has been devoted primarily to the video team. I have made good progress on the 840 poster for the fast-approaching standardized tests, but I think it is supposed to be a surprise of sorts, so I won’t show you what I have done.
Today, I made a sample eBook in InDesign as a proof of concept. After I figured out the basic concept behind how eBooks are made, I was able to successfully format one relatively easily. Kyle and I volunteered to assemble the Mac Lab eBook, so I got a taste of the amount of work that is going to take (a lot). I loaded the sample eBook on my iPad via iTunes, and it looks great. You need software like Adobe Digital Editions (which is free) to view eBooks on your computer, but it looks best on portable devices like the iPad, iPhone, or iTouch. Although it will work on a device like the Amazon Kindle, my test eBook has color images, and there are no eReader devices currently on the market that can display color.
Don’t forget to head over to the Mac Lab Media site, the new home of the Video Team, which I am co-administrating with Kyle and Danny. Just so you all know, CRDESIGNLAB was made a one man blog a few days ago. Also just so you know, CS5 will be launched on April 12th, so be on the Adobe website at 8 am to see the new software.
This is three mini-posts smashed into one.
1: Catching Up.
It has been over a week since my last post. That’s just deplorable. I all honesty, I have lacked inspiration over the past few weeks. That might be partly due to the increasing workload as AP Exams approach. I will be taking three AP Tests in late April: AP Language, AP US History, and AP Chemistry. I have tried my best to manage the massive workload these three classes place upon my shoulders while at the same time trying to find time to work on Mac Lab stuff as the projects are only getting larger and more numerous. People don’t appreciate just how difficult it is to get an A in an AP class until they try. I have had to take a sort of break from my usual Mac Lab work to focus on maintaining my straight A’s, which has not always been possible. Unfortunately, I will have to find a way to work more on both regular classes and my Mac Lab projects at the same time. Oh, and I have to learn Final Cut Studio and After Effects as part of my duties to the video team, which I am now a member of. I have Adobe CS4 Design Premium and Apple Final Cut Studio on my home computer, but I don’t have After Effects, which means I will have to work on that during class.
While on the topic of video, I have to say that last Saturday was quite the day. I arrived at school at 5:30am and was the first person there, other than Mr. Skocko. A minute later, Danny and Cody arrived, followed by Philip, Fadi, Kyle, Aaron, Nikki, and a few others over the next three hours. We light painted for a few minutes while it was still dark, but the pictures didn’t turn out. When the filming for the Dodgeball video started, chaos broke out and it took us five hours to film a commercial that is less than a minute long. The finished product looks great, but it didn’t always look so good. Danny saved the day in Final Cut and After Effects. The best part of the day was that I learned a lot about video. I was Assistant Director (Danny was Director) and I set up about a third of the shots without his help. By the time the filming was over, I had gained a new skill and the confidence that came with it. High resolution version: right-click and download | Low Resolution version.
At 2pm, Danny and I filmed the Theater Department’s production of Thoroughly Modern Millie, which was fantastic. I had never been to a school performance before, and really liked the play. Fadi tagged along but didn’t really do anything. By 5:15pm, after 11 hours and 45 minuets of work, we all left school and went out separate ways. Twelve hours working for the Mac Lab was a lot of fun.
2: A New Focus
Quite simply, my focus in the Mac Lab is changing. CRDESIGNLAB started out as a photography blog, but I think it will follow me and transition more towards other forms of media, most importantly video. Changes might be coming.
3: The 9 Days of Light Painting
Over Spring Break, I will have three tasks and only three tasks: finish Specialties for AP US History, read The Grapes of Wrath by John Steinbeck for AP Language, and devote every other waking moment to the Mac Lab. As for the third of those tasks, I intend to spend most of my time light painting and working on tutorials. It’s about time I stop being lazy and actually get something done. Other than creating tutorials for light painting, I will try the new techniques Mr. Skocko has been urging me to employ over the pst few months. I will completely revamp my approach to light painting, and will hopefully produce the best work the Paint the World With Light project has seen yet.
As for these tutorials, I will use a combination of screen captures that explain the basics and camera setting and actual video footage of a light painting shoot, which should be filmed tomorrow.
I also have to work on the Valhalla 840 poster, which is coming together slowly. I am in charge of the Photoshopping, which is the majority of the project. Zack, Fadi, Philip (I think), and Kyle are also helping. We will have to combine our skills in Photoshop, Illustrator, and Cinema 4D to create a realistic poster. I don’t know if I am supposed to keep the theme a secret or not, so I’ll take the safe route and let you all just guess as to what masterpiece is sitting behind this Safari window on my computer right now. (Hint: if it works, it will be AMAZING!!!!!!) Photoshop CS5 and these tools would make the job infinitely easier. If only I knew someone with CS5…
That’s it for now. I bid you farewell for now and start planning the screen capture portion of my light painting tutorials.
Fun fact: for a few hours tomorrow I will have both of the Mac Lab’s 5D Mark II cameras. I will be carrying around $12,000 of technology as I go the site of the light painting tutorial.
Let the 9 Days of Light Painting begin!!!
Well, today was Valhalla’s 36th birthday, and during lunch we (ASB) hosted a birthday celebration, with cake and all. Last week Mr. Owens asked Skocko to create a Birthday Poster for the celebration, and he handed the task off to me. Since the poster needed a picture of Valhalla pen tooled into a birthday cake, I turned to Fadi to do the deed. He has worked on the pen tooling all week, and wasn’t able to finish due to the time crunch. Unfortunately, yesterday I informed Mr. Owens of the progress and he decided to cancel the poster. I felt very badly having to tell Fadi that we wouldn’t we using his work (for now). When I came in and told him, he was about half way done, so either way, the poster would not have been done in time. For what he did have though, it looked great. We will definitely be using it for something in the future.
Anyway, I hope that everyone was able to get out to the stage during lunch to get a piece of cake and enjoy a few lunch time activities (ie. breaking open a piñata).
Oh, one more thing. Today, after school, Christopher and I are going to Michael’s to look at frames for the pictures that we plan on printing next week (or tomorrow during MLSS™). We’ve been planning on doing so for the past two weeks, and are finally going to be able to. (Christopher mentioned this yesterday, but it’s now a definite plan)
Have a great three-day weekend!
Today was devoted entirely to working on the VHS Birthday project for Mr. Owens. Yesterday, I took photos of the school for Fadi to pen tool, but the images were not detailed enough for him, so today I went and took some more. To achieve the required detail, I decided to make a panorama of the school. Quite simply, a panorama is a group of images of different parts of the same thing that are merged to create a single, massive image.
I took 132 photos for two panoramas, which took over an hour total to render. The first file image was 4.24GB and the second was 4.56GB!!!!! Photoshop cannot save images over 2GB, so I had to flatten the dozens of layers, which reduced the file size by a factor of sixteen. The final JPEG’s (which are around 50MB) are here and here (give them a LONG time to load).
Now it is Fadi’s turn to work his artistic magic with the pen tool.
Yesterday, Kyle tasked Fadi George and I with creating a “Valhalla Birthday” poster for Mr. Owens. The school is turning 35, and Mr. Owens plans to hold a celebration. Part of his plans include a very large poster that will be created by Mac Lab students. Kyle R, Kyle W, Fadi G, and myself have taken up the challenge.
Today, I took photos of the exterior of the school using the 5D Mark II so that Fadi can create a pen tool version of Valhalla. The photos only turned out average because whoever used the camera last did not remember to set the ISO back to 100 (it was at 400), so the dark areas had horrible granulation. Tomorrow I will try again with the correct ISO. Fadi has started the pen tooling, but the image is not clear enough for him to work well, so I plan to take multiple photos tomorrow and stick them together into a super-high resolution panorama (as if 21.1 megapixels wasn’t already enough!!!). The entire project is due on February 12th, so we only have 9 days to work. That shouldn’t be a problem, depending on how long it takes Fadi to do the pen tooling.
On another note, I was talking to Phillip Behnam at the end of lunch, and we made plans to do a cooperative light painting project sometime in the coming weeks. In light painting, the more people you have, the better, more detailed, and more extravagant the image, so with our combined talents, something really amazing should be created.